’60 Minutes’ Pulls Planned Segment On Trump Administration’s Deportation Of Migrants To Harsh El Salvador Prison; Show Says Report Will Air In Future (news.google.com)
Reward countries that toe the line, punish those that don’t: that’s how Trump is exerting control in Latin America Jordana Timerman (www.theguardian.com)
The Extremely Online Bona Fides of “I Love L.A.” - Rachel Sennott, the HBO series’ creator and star, may be a relative newcomer to Los Angeles, but she’s a native of the show’s true setting: the internet. (www.newyorker.com)
The Burgled Louvre’s Stolen-Art Expert - Bénédicte Savoy is Europe’s leading advocate for the repatriation of cultural heritage. Now, in the wake of a shocking heist, she’s bringing her ideas to the Louvre. (www.newyorker.com)
What Zohran Mamdani Is Up Against - When the thirty-four-year-old socialist is sworn in as mayor, he will have to navigate ICE raids, intransigent city power players, and twists of fate and nature. (www.newyorker.com)
Nell Zink Reads “The Welfare State” - The author reads her story from the December 29, 2025 & January 5, 2026, issue of the magazine. (www.newyorker.com)
Lawrence Wright on A. J. Liebling’s “The Great State” - For all the humor in his reporting, Liebling recognized Louisiana’s governor as something more than another political buffoon. That insight made the piece a classic. (www.newyorker.com)
“The Welfare State,” by Nell Zink - Julia had longed to be an educated mother like Vroni, but there was never a serviceable father in view, so she had limited herself to being educated. (www.newyorker.com)
The Top Twenty-five New Yorker Stories of 2025 - Consider this your personal year-end reading list, one that we hope provides hours of pleasure. (www.newyorker.com)
Trump Dishonors the Kennedy Center - A memorial to John F. Kennedy and his respect for the freedom of the arts has been renamed for a man with authoritarian instincts. (www.newyorker.com)
Tyler Mitchell’s Art-Historical Mood Board - The thirty-year-old star photographer became famous for his reference-rich images of Black beauty, but his strongest work suggests a tender eye for imperfection. (www.newyorker.com)
What if Readers Like A.I.-Generated Fiction? - If economic and technological transformations have changed our relationship with literature before, they could do so again. (www.newyorker.com)
Ten of My Favorite Cookbooks of 2025 - The year’s best culinary titles include a food history of the United States, a guide to being an excellent dinner-party guest, and a collection of recipes that people decided to take to their graves. (www.newyorker.com)
Graham Platner Is Staying in the Race - The veteran and Senate candidate from Maine talks about the affordability crisis, his campaign’s controversies, and why he isn’t ashamed about his past offensive comments. (www.newyorker.com)
Calvin Tomkins’s Century - The writer, who has been contributing to The New Yorker since 1958, has chronicled turning a hundred in the same year as the magazine’s centennial. (www.newyorker.com)
The Disruptors Behind Radiohead’s Art - Thom Yorke and Stanley Donwood discuss how, for thirty years, they''ve crafted the visuals that helped define Yorke’s band, many of which are now on view at Oxford''s Ashmolean Museum. (www.newyorker.com)
Jim Jarmusch’s Ironically Optimistic Family Movie - Also: Graciela Iturbide’s tranquil photographs of Mexico, Hugh Jackman and Kate Hudson in “Song Sung Blue,” the coke-rap of Clipse, and more. (www.newyorker.com)
“Marty Supreme” ’s Megawatt Personality - In Josh Safdie’s hectic new film, Timothée Chalamet plays a gifted Ping-Pong player who’s also a born performer. (www.newyorker.com)
The Role of Doctors Is Changing Forever - Some patients don’t trust us. Others say they don’t need us. It’s time for us to think of ourselves not as the high priests of health care but as what we have always been: healers. (www.newyorker.com)
How America Gave China an Edge in Nuclear Power - Though the two countries are now in a race to develop atomic technology, China’s most advanced reactor was the result of collaboration with American scientists. (www.newyorker.com)