12-17 MediNatura New Mexico, Inc. Expands Voluntary Nationwide Recall of ReBoost Nasal Spray and to include ClearLife Allergy Nasal Spray Due to Microbial Contamination (news.google.com)
12-17 ''Robots are going to be amongst us'': Qualcomm exec says buckle up for the next 5 years. Your car is going to be the first shoe to drop (news.google.com)
12-17 African Development Fund mobilises a historic 11 billion, marking a new era of African ownership and investment-led development - African Development Bank Group (news.google.com)
12-17 Is Cognitive Dissonance Actually a Thing? - A foundational 1956 study of the concept, focussed on a U.F.O. doomsday cult, has been all but debunked by new research. (www.newyorker.com)
12-17 A Graphic Novel About Rage and Repression in Montreal - For the characters in Lee Lai’s “Cannon,” home is the place most resistant to real emotion. (www.newyorker.com)
12-17 The Year in Slop - This was the year that A.I.-generated content passed a kind of audiovisual Turing test, sometimes fooling us against our better judgment. (www.newyorker.com)
12-17 The Party Politics of Sovereign House - Nick Allen’s venue in Dimes Square was a popular gathering spot for right-wing Zoomers. Now, he’s opening a new club called Reign, an attempt to build a lasting cultural institution. (www.newyorker.com)
12-17 Donald Trump’s Remarks on the Death of Rob Reiner Are Next-Level Degradation - On a weekend of terrible violent events, you would not expect a President of the United States to make matters even worse. But, of course, he did. (www.newyorker.com)
12-16 “Avatar: Fire and Ash” Mostly Treads Water - In James Cameron’s latest 3-D science-fiction extravaganza, the Na’vi family tree gets more complicated, but our sense of wonderment flattens out. (www.newyorker.com)
12-16 Five Things That Changed the Media in 2025 - A.I., of course—but there were also other, less obvious stories and trends that are going to shape how we understand the news. (www.newyorker.com)
12-16 The Best Performances of 2025 - In a year when the entertainment industry embraced the artificial, extraordinary human acts—from Sarah Snook’s one-woman “Dorian Gray” to Michael B. Jordan’s twin turn in “Sinners”—made their mark. (www.newyorker.com)
12-16 So You Want to Come to My New Vinyl-Listening Bar - You may get up to use the restroom, but only between sides. During songs, please remain still. Any movement above shoulder level will be interpreted as dance. (www.newyorker.com)
12-16 Want to Talk to Zohran Mamdani? Get in Line - Preparing to take office, the Mayor-elect dabbles in performance art at the Museum of the Moving Image. (www.newyorker.com)
12-16 A Shooting at Brown - The first snow of the year often brings students out together. This year, they are being united “in a very different way,” one said. (www.newyorker.com)
12-15 Becoming a Centenarian - Like The New Yorker, I was born in 1925. Somewhat to my surprise, I decided to keep a journal of my hundredth year. (www.newyorker.com)
12-15 Letters from Our Readers - Readers respond to Hannah Goldfield’s Take about Anthony Bourdain and James Somers’s piece about whether A.I. is thinking. (www.newyorker.com)
12-15 Audrey Hobert Doesn’t Want to Be Described - The “Bowling alley” singer bowls a few frames and explains how her pal Gracie Abrams inspired her to switch from writing for Nickelodeon to writing songs. (www.newyorker.com)
12-15 Once a Rockette, Always a Rockette - As the group celebrates its hundredth year, former dancers gather to reminisce about the good old days—bingeing Advil, marrying Yalies—and what came after. (www.newyorker.com)
12-15 Stephen Sondheim, Puzzle Maestro - For the late Broadway composer, crafting crosswords and treasure hunts was as thrilling as writing musicals. (www.newyorker.com)
12-15 “Roller-Rink Nocturne,” by Aimee Nezhukumatathil - “When we try to pretend the moon moves / across our faces, we get a disco ball.” (www.newyorker.com)
12-15 Helen Hokinson, a Happy Woman - Her version of the middle-aged matron was a gentle innocent who faced the world with an unself-conscious enthusiasm. (www.newyorker.com)