14:10 Trump tariffs live updates: EU discusses 108 billion in retaliatory tariffs''; Danish PM says Europe ''will not be blackmailed'' (news.google.com)
08:15 Trump tariffs live updates: Trump announces tariffs on European countries until deal is reached for ''purchase of Greenland''; Danish PM says Europe ''will not be blackmailed'' (news.google.com)
15:00 ‘I was bullied in school for being different. At 16, I hit a crashing point’: the awkward kid who became the world’s strongest man (www.theguardian.com)
14:10 Trump tariffs live updates: EU discusses 108 billion in retaliatory tariffs''; Danish PM says Europe ''will not be blackmailed'' (news.google.com)
08:15 Trump tariffs live updates: Trump announces tariffs on European countries until deal is reached for ''purchase of Greenland''; Danish PM says Europe ''will not be blackmailed'' (news.google.com)
01-18 Amanda Seyfried’s Epiphanies - The star of “The Testament of Ann Lee” and “The Housemaid” discusses letting go of judgment, working without hierarchies, and committing to the role of a woman possessed by faith. (www.newyorker.com)
01-18 Vinson Cunningham on Barry Blitt’s Obama “Fist Bump” Cover - Here’s one big risk a public satirist of racism takes: by displaying tropes and crude imagery, he reveals just how well he knows and can deploy them himself. (www.newyorker.com)
01-18 Helen, Help Me: On the Phenomenology of Cheeseburgers - A New Yorker food critic answers questions about burger toppings, beef tallow, and the subjectivity of memory. (www.newyorker.com)
01-18 An Indigenous Community’s Spiritual Haunting - In “Jaidë,” or “House of Spirits,” the Colombian photographer Santiago Mesa documents a remote people facing a rash of youth suicides. (www.newyorker.com)
01-18 Can Trump Really Use the Insurrection Act? - An expert on Presidential emergency powers discusses the history and legality of military deployments in American cities. (www.newyorker.com)
01-17 Bob Weir’s Feral Radiance - The Grateful Dead guitarist had the nature of a well-meaning cowboy, and a lasting capacity to access wonder and deep engagement. (www.newyorker.com)
01-17 Why Trump Supports Protesters in Tehran but Not in Minneapolis - During the President’s second Administration, universal principles such as self-determination and due process are wielded only opportunistically. (www.newyorker.com)
01-17 Erich von Stroheim’s Spectacular Art Is Back - A new restoration of Stroheim’s unfinished 1929 drama “Queen Kelly” spotlights his reckless directorial career, which, though brief, is one of the greatest of all. (www.newyorker.com)
01-17 Nia DaCosta Injects New Blood Into “28 Years Later: The Bone Temple” - In this gory sequel to Danny Boyle’s “28 Years Later,” an undead threat that has ravaged Britain turns out to be no match for the reality of living human evil. (www.newyorker.com)
01-17 With the Podcast “I’ve Had It,” Jennifer Welch Goes “Dark Woke” on Politics - A left-wing, atheist reality-TV host from Oklahoma is one of the most popular liberal podcasters, channelling outrage with MAGA and with Democrats she views as complacent. (www.newyorker.com)
01-17 How Betting Took Over Sports - The reporter Danny Funt discusses his new book, “Everybody Loses: The Tumultuous Rise of American Sports Gambling.” (www.newyorker.com)
01-16 The Mental Pratfalls of Anne Gridley, in “Watch Me Walk” - Also: Jodie Foster’s new movie, New York City Ballet’s winter season, music inspired by the poetry of the Black Arts Movement, and more. (www.newyorker.com)
01-16 A D.H.S. Shooting Puts Portland Back Under the Microscope - After a year under siege, the city’s police department contends with the tactics of federal immigration agents. (www.newyorker.com)
01-16 The Minnesota War Zone Is Trump’s Most Trumpian Accomplishment - The President may have started out by trash-talking America; one year into his second term, he is simply trashing it. (www.newyorker.com)
01-16 Album Review: Zach Bryan’s “With Heaven on Top” - The singer-songwriter has become one of the most popular musicians in America without much changing his no-frills approach. (www.newyorker.com)